Curated by Eric C. Shiner
On view from August 5, 2008
Reception: August 7, 2008 / 6:00 pm - 8:00 pm
China Square
545 W. 25th Street
Chelsea Arts Tower 8th fl.
Do not think that I'm promoting communist. I rather slit my wrist than praise on China's communist. I love the style Shen Jing Dong. I love the playfulness that he created. The mix of ideological and consumerist subject matter definitively places Shen's work, alongside works by Takashi Murakami (How hot is that?)- in the post-pop period, attempting to digest the nation's transition into a consumer-driven society. His plastic toy characters have the reflections of the light that is pure genius. The smiles in the three panels of people with different ethnicities shows a connection in Yue Minjun's smily characters but less jovial. I'm happy that he has his one man show at this gallery since I was in awe of his work last year.
ChinaSquare is pleased to present SHEN JINGDONG: Hero, curated by Eric C. Shiner. The exhibit will be on view August 5th to 30th with an opening reception on Thursday, August 7th, from 6 to 8 pm. Born in Nanjing in 1965, Shen Jingdong received his masters degree from the Nanjing Institute of Arts in 1991. He was then conscripted to the Military Drama Troupe until 2007. Shen Jingdong's work taps into the vulnerability of the venerable by examining heroes of China's Cultural Revolution – most notably, members of the military. Serving in the military drama troupe for 16 years provided the artist ample exposure to military life and time to consider soldiers as sentient beings, rather than mere emblems of Communist thought. The plastic, manufactured soldiers Shen paints is in contrast to the observed humanity from his experience, but allows one to view these cultural icons as government play things gazing out with placid, unquestioning expressions. The mix of ideological and consumerist subject matter definitively places Shen's work -- alongside works by Takashi Murakami - in the post-pop period, attempting to digest the nation's transition into a consumer-driven society.
Not surprisingly, such critical examination of the validity of Communist ideals has not gone unnoticed by China's central government. Just two years ago, one of Shen Jingdong's installations grouped Chairman Mao with political dictators of other countries and was promptly banned from a major Beijing international art festival.Despite the controversy surrounding his work, pieces have already been collected by the China National Museum of Fine Arts and the Art Retreat Museum in Singapore. Well-received both critically and at auction, there is every reason to believe Shen Jingdong's talent will
continue to unveil itself.
Eric C. Shiner is an independent curator and art historian specializing in Asian contemporary art.
An assistant curator of the Yokohama Triennial in 2001, Shiner is an active writer and translator, a contributing editor for Art Asia Pacific magazine, and adjunct professor of Asian art history at Pace University in New York City
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